10 horror movies that aren’t exactly scary
Each year marks the release of hundreds of news movies and the movie experience remains one of the most exciting forms of entertainment out there. Each genre is able to connect with audiences in a different way, but horror movies always seem to provoke more extreme reactions due to their inherently frightening nature.
There are some absolutely terrifying horror movies which present images that will remain in the minds of the public forever. However, a horror movie doesn’t always have to be nightmare fuel to be effective, and there are some notable entries in the genre that should be more accessible for those who are easily scared.
ten The reputation of Friday the 13th is stronger than its fears
The Friday 13 The slasher series will forever be a touchstone of the horror genre, and the franchise’s machete-wielding Jason Voorhees is one of the most famous figures in cinema. The Friday 13 films feature dozens of gory and creative executions, but the series begins in a considerably tame place. The first one is probably not scary, but remains an effective framework for a horror film. The original Friday 13 has even less bite than his successors as he is yet to establish Jason or his trademark hockey mask, leaving him with fewer haunting images to lean on.
9 Nightmare On Elm Street 3: Dream Warriors Upgrades The Formula, But Is Less Scary
A little like Friday 13 Jason voorhees, Freddy Krueger from Nightmare on Elm Street horror franchise is an equally iconic horror titan. The Nightmare on Elm Street the movies contain very inventive and exaggerated sets due to the supernatural nature of Freddy. Strangely enough, the original Freddy features a very spooky Freddy who doesn’t get eaten up by pun-filled one-liners. Freddy becomes more of a caricature with each passing film, but the third film in the series, Dream warriors, is particularly satisfying from a storytelling standpoint – although it’s not exactly scary.
8 I know what you did last summer is a scary concept losing its bite
The late 1990s was inundated with a host of conscious and ironic horror films in an attempt to ride the success of Wes Craven and Kevin Williamson’s groundbreaking film. Scream. Scream actually creates tense footage and its brutal nature combined with the killer mask is actually frightening.
I know what you did last summer also scripted by Kevin Williamson, is more of an engaging premise than anything else. It’s exciting to see these characters attempt to survive the deadly retaliation that befalls them, but the actual deaths are insufficient.
7 Get Out is a deep, provocative horror film that’s more thoughtful than scary
Jordan Peele is quickly making a name for himself as one of horror’s most exciting voices. Get out is often the most popular of Peele’s images and it even made waves at the Oscars, which isn’t always easy for the horror genre. Get out Effectively establishes Peele’s voice as a filmmaker who explores horror with premonitory social commentary behind her. Get out also works well as it unfortunately comes from a real place. Get out is a horror film that has engaging visuals and will get audiences thinking, but it’s not scary on a visceral level.
6 Horror genre woods cabin deconstruction overwhelms her fears
The horror genre has such well-established rules that easily lend themselves to meta and self-aware storytelling. Cabin in the woods is a sublime deconstruction of genre as brilliant as it is fun. It’s undeniable Cabin in the woods is a horror movie because of its mind-boggling body count and endless monsters. However, the film often indulges in a satire that is too savage to be truly frightening. Cabin in the woods is pure joy for any horror fan, but the big obstacles that fill the movie often come across as punchlines.
5 Trick ‘R Treat creates a spooky tale suitable for all ages
Horror can come out anywhere, but there are so many movies that use the spooky Halloween holiday like the backdrop to a scary story. Trick or treats is an exceptional horror film that often goes unnoticed. The film features particularly effective and original monster designs and practical effects, not to mention a unique take on the anthology genre.
Trick r ‘Treat’s Sam has become the film’s de facto mascot, but he exemplifies the scary tone of this film, but not overly aggressive and reasonably kid-friendly.
4 Happy Death Day wants the audience to laugh more than they scream
It’s quite fascinating to see that stories that involve time loops, like Groundhog day, have become strangely popular and there have been several films that combine the concept of sci-fi with contrasting genres, such as comedy, or in the case of Happy Death Day, horror. The two Happy day of the dead and its sequel create genuinely engaging mysteries around the central time loop device that compels Tree to continually experience her death. The film embraces its absurdity and isn’t afraid to play up its traumatic events for a laugh. Happy day of the dead has a few rough executions, but the other tones in the film end up softening their edges.
3 Final Destination 3 embraces the random nature of the universe
The Final destination the show is much better than it has the right to be. There’s such an effective setup and execution for these morbid horror movies that turn death and chance into a slasher killer. The Final destination films thrive by defeating audience expectations about how these characters will finally come to their end, but these ridiculous, herd-thinning coincidences are rarely scary. Often times the murderous opening premonition can be frightening, especially in Final destination 2. Final destination 3 is arguably the best entry in the series, but it’s still not an aggressive scare.
2 Craft tells a powerful parable that is light on true terrors
The job is a full-length ’90s horror monument, and its evergreen reputation earned it a recent legacy sequel that also served as a reboot. The job transforms a women-centered story about adopting witchcraft and dark forces into a moving coming-of-age story. The job elegantly creates real divisions among this group of friends as this new power corrupts and affects them all in different ways. The film has a strong message and is anchored by some fantastic performances. Handicrafts teenage witches are deadly, but they’re not scary.
1 Ribs signs on tension and the unknown
M. Night Shyamalan’s career has seen its ups and downs, but the filmmaker is still responsible for some of the biggest cinematic moments of decades past. Shyamalan films are often reduced to the effectiveness of their twists even though there may be some real substance behind it. Panels is still at the start of Shyamalan’s career and his approach to aliens, fate, and a more intimate family drama are very effective. There is a solid fear of jumping in the movie, when the alien is first seen, but beyond that Panels is not explicitly scary and is more of a contemplative image.
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