Horror Movie – Horror Fanatics http://horror-fanatics.com/ Sat, 08 Jan 2022 01:45:00 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://horror-fanatics.com/wp-content/uploads/2021/07/horror-fanatics-icon-150x150.jpg Horror Movie – Horror Fanatics http://horror-fanatics.com/ 32 32 New Scream Video Features Gale Weathers Reporting on Original Woodsboro Murders https://horror-fanatics.com/new-scream-video-features-gale-weathers-reporting-on-original-woodsboro-murders/ Sat, 08 Jan 2022 01:45:00 +0000 https://horror-fanatics.com/new-scream-video-features-gale-weathers-reporting-on-original-woodsboro-murders/ the Scream the franchise returns to the big screen next week, and with it, much of the original cast, including Neve Campbell’s Sidney PrescottDewey Riley by David Arquette and Gale Weathers by Courtney Cox. The core trio has always been a fun dynamic to see in the horror film series, and while waiting for their […]]]>

the Scream the franchise returns to the big screen next week, and with it, much of the original cast, including Neve Campbell’s Sidney PrescottDewey Riley by David Arquette and Gale Weathers by Courtney Cox. The core trio has always been a fun dynamic to see in the horror film series, and while waiting for their return, Scream teases where Gale’s journalistic career is now.

A new Scream the video surfaced on Twitterand it features the character of Courtney Cox who hosts a special called Tonight With Gale Weathers: The Woodsboro Murderswhere the reporter dramatically remembers the events of the horror films and teases what is to come. Check it out:

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The Legend of La Llorona – Film review https://horror-fanatics.com/the-legend-of-la-llorona-film-review/ Thu, 06 Jan 2022 06:23:47 +0000 https://horror-fanatics.com/the-legend-of-la-llorona-film-review/ It is a centuries-old Mexican folk tale told by generations of parents to scare the bejesus of their niños with the reputed purpose of keeping them safe: wander too far from home, the little ones, and the spectral apparition of La Llorona – “The Crying Woman” – will tear you away as she wanders along […]]]>

It is a centuries-old Mexican folk tale told by generations of parents to scare the bejesus of their niños with the reputed purpose of keeping them safe: wander too far from home, the little ones, and the spectral apparition of La Llorona – “The Crying Woman” – will tear you away as she wanders along the water’s edge, vainly seeking his death for a long time children. There are a myriad of versions of this ghost story, the best known being the Medea-like filicide committed by a beautiful woman named Maria, who in revenge drowns her two children in a river after spying on her wealthy husband with another woman, then commits suicide. Among other things (including novels, plays, songs, TV shows), the legend has inspired a plethora of mostly mediocre Mexican supernatural horror films over the past 60 years (and an animated sanitized), as well as poorly received but financially successful films. Americans face the monstrous in 2019 madre, The curse of La Llorona, the sixth film of the Conjuring franchise. And now there’s yet another cinematic narrative, this time called The Legend of La Llorona, presumably made in the spirit (pun intended) of trying to better live up to this legendary piece of Mexican lore. This umpteenth time is not a charm.

Here, the oft-told story is framed in the current context of an American family vacationing somewhere in distant Mexico, shortly after the death of a toddler girl. Grieving parents Carly (a strangely unfriendly Reeser) and Andrew Candlewood (hot daddy Cupo) bring their young son Danny (Madrazo) with the trip, much to the dismay of the housekeeper of the rented hacienda (a touching Lara). ), who crosses herself nervously whenever something scares her. Apparently mom and dad failed to read the part of the travel brochure noting the mysterious disappearances of many children in the area, and before long the otherworldly Llorona, looking a bit like Lily Munster on a bad day and moaning. like a banshee, begins tormenting the family and eventually kidnapping Danny, his panicked parents chasing them with the help of a local cab driver (Trejo, who only looks comfortable when he pulls a hunting rifle).

Cameron Larsen and Jose Prendes’ story and screenplay, respectively, take great liberty with the caption for the purpose of a last-minute reveal that’s more of a yawn than anything else. But even if the disclosure had worked, the film offers little genuine horror (fear of jumping doesn’t count) and its suspense is negligible, though some spooky imagery, such as dismembered burnt doll arms, can momentarily put you on hold. under the skin. There is also something slightly offensive about the film’s willingness to sacrifice the Indigenous characters to help the Candlewoods save their child. But when the script Rambo-izes her bodily mother briefly, get ready to laugh at what could be the 2021 film’s dawning absurd moment. After grabbing a kitchen knife and shovel to embark on a mission to save her kidnapped son, the frantic Carly inexplicably stops before exiting the house to utter a howl about nothing stopping The Legend of La Llorona deadlier than its titular ethereal howler: “I’m coming baby, mommy is coming.” The absence of any discernible exclamation mark in this recitation says it all.

Available on VOD January 11.

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Netflix horror series All of Us Are Dead trailer promises teen zombie action https://horror-fanatics.com/netflix-horror-series-all-of-us-are-dead-trailer-promises-teen-zombie-action/ Tue, 04 Jan 2022 12:11:15 +0000 https://horror-fanatics.com/netflix-horror-series-all-of-us-are-dead-trailer-promises-teen-zombie-action/ A new Netflix horror TV series is coming in January, and it looks like a horrible time. We’re All Dead is a South Korean production about a high school zombie outbreak, pitting unwitting students against hordes of the living dead. The sci-fi series is co-directed by Lee Jae-kyoo and Kim Nam-su. Lee is a leading […]]]>

A new Netflix horror TV series is coming in January, and it looks like a horrible time. We’re All Dead is a South Korean production about a high school zombie outbreak, pitting unwitting students against hordes of the living dead.

The sci-fi series is co-directed by Lee Jae-kyoo and Kim Nam-su. Lee is a leading Korean filmmaker, with film and television credits in The Fatal Encounter, The Intimate Stranger, The King 2 Hearts and Beethoven Virus. Oddly enough, this production is their first horror film and the rare contemporary project of Lee, who has directed several period pieces throughout his career.

Park Ji-hoo and Yoon Chan-young are the protagonists. The latter worked steadily for most of the 2010s, directing Korean drama films such as The Fault is Not Yours and Mothers. Park, meanwhile, might be recognizable to moviegoers keeping a close eye on the festival circuit, her 2019 film House of Hummingbird has won accolades at the Berlin International Film Festival and Tribeca Film Festival.

You can watch the first trailer below – for less than a minute, it’s packed with a lot of intense, bloody action.

A short official synopsis reads: “High school becomes ground zero for zombie virus outbreak. The trapped students must fight to escape or transform into one of the rabid infected. “

Netflix announced the show in 2020 as an original, partnering with Lee. Lately, the streaming service has made a lot of progress on South Korean work. Squid Game has been a huge success for the platform, Hellbound has received a positive reception and #Alive is one of the best zombie movies of recent times. Hoping that this continues the trend and introduces the public to other great creators in the region.

We’re All Dead arrives January 28 – check out the best horror movies on Netflix for more spooky choices.

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BTS Suicide Squad footage shows cast from Troma Studios founder reunion https://horror-fanatics.com/bts-suicide-squad-footage-shows-cast-from-troma-studios-founder-reunion/ Sun, 02 Jan 2022 03:40:00 +0000 https://horror-fanatics.com/bts-suicide-squad-footage-shows-cast-from-troma-studios-founder-reunion/ James Gunn shares a series of new behind-the-scenes footage from the set of The Suicide Squad, in tribute to Troma Studios founder Lloyd Kaufman. James Gunn shares a series of behind-the-scenes footage from Tthe suicide squad Cast meets Troma Studios co-founder Lloyd Kaufman. The 76-year-old director and producer has a long-standing partnership with the now […]]]>

James Gunn shares a series of new behind-the-scenes footage from the set of The Suicide Squad, in tribute to Troma Studios founder Lloyd Kaufman.

James Gunn shares a series of behind-the-scenes footage from Tthe suicide squad Cast meets Troma Studios co-founder Lloyd Kaufman. The 76-year-old director and producer has a long-standing partnership with the now world-famous comic book director. After founding Troma Studios in 1974 alongside Michael Herz, the company became well known for its low budget and often overly graphic horror film production. Gunn joined the studio in 1995, serving as a writer for several projects, including Tromeo and Juliet and Firmer terror. Forming a close relationship with Kaufman over the course of their collaborations, Gunn made his studio directorial debut with his 2006 horror film, To glide.

VIDEO OF THE DAY

Related: James Gunn Should Return To Horror After Guardians Of The Galaxy 3

Turning now to Instagram, Gunn shared a look at his former mentor and friend on the set of his recently released feature film, The suicide squad. I wish him a happy 76e birthday, Gunn posted four behind-the-scenes photos of Kaufman posing alongside several of the DCEU’s new stars, including John Cena, David Dastmalchian and Daniela Melchior. Paying tribute to Kaufman for launching his career, Gunn wrote: “Happy birthday to the man who gave me my debut in the film industry.“Check out the message below:

Click here to view the original post


Kaufman, who appeared in numerous productions during his career, briefly appears in the background of The suicide squad as a dancer. The image does not mark Kaufman’s first foray into acting, having been invited to appear in a number of Gunn’s previous titles, including Likes To glide, Great, and guardians of the galaxy. He also made a cameo appearance in major films such as Rocky, Hanger, and Iron Sky: The Race Ahead.

More: Why Director James Gunn Didn’t Want Joker In The Suicide Squad

Source: James Gunn

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Distribution of the film Dune 2021

Dune 2’s surprise comeback character teased by 2021 movie editor


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Where to stream Scary Tales to Tell in the Dark (2019) online? What is it about? https://horror-fanatics.com/where-to-stream-scary-tales-to-tell-in-the-dark-2019-online-what-is-it-about/ Fri, 31 Dec 2021 21:26:17 +0000 https://horror-fanatics.com/where-to-stream-scary-tales-to-tell-in-the-dark-2019-online-what-is-it-about/ Scary Stories to Tell in the Dark is an American horror film. The film is the story of three teenagers in 1968 in a small town. On Halloween that year, Stella and her two other friends, Auggie and Chuck, meet Ramón Morales. Ramón Morales is a mysterious wanderer who comes into contact with the trio […]]]>

Scary Stories to Tell in the Dark is an American horror film. The film is the story of three teenagers in 1968 in a small town. On Halloween that year, Stella and her two other friends, Auggie and Chuck, meet Ramón Morales. Ramón Morales is a mysterious wanderer who comes into contact with the trio of friends. With them, they discover a secret notebook.

However, this notebook is not the normal notebook. It is full of stories. These stories are mostly sinister and have the power to harm the group.

The film is based on the series of books produced by Alvin Schwartz and directed by André Øvredal. Dan Hageman and Kevin Hageman wrote the script for the2z horror film. On August 9, 2019, the film was released in theaters in the United States.

The film has 7 nominations to its name with 4 victories, including the Best Horror / Thriller Film Award at the National Film and Television Awards in the United States in 2019. The film was rated 6.2 on IMDb.

Where to stream Scary Tales to Tell in the Dark (2019) online?

Source: Vox

The 1 hour 51 minute film is available to stream online from August 27, 2019 on the 18th day of its theatrical release. Viewers can watch the film on Netflix because it is available on the platform with the minimum subscription required. The availability of the horror film may vary from region to region around the world.

Viewers can also watch the film on the Lionsgate Movies website. Viewers and fans of the scary film can also stream the film on Amazon Prime Video because it includes Lionsgate as a complementary channel.

What are Scary Stories to Tell in the Dark (2019)?

The Bellows family have a bigger secret than the town of Mill Valley in which they live. A young Sarah Bellows tells her personal and horrific stories in a notebook. On Halloween 1968, three teenagers from the same town, Stella, Chuck and Auggie, stumble upon the notebook. The notebook contains a series of frightening stories that have spanned time and generations.

The group meets Ramón Morales, a mysterious wanderer. He soon comes into contact with the trio of friends and finds their little notebook. The whole adventure becomes too real too soon for them when they finally discover Sarah Bellows’ haunted tomb filled with secrets.

When is Scary Stories to Tell in the Dark (2019) released?

On August 9, 2019, the horror film Scary Stories to Tell in the Dark hit theaters in the United States. Lionsgate Film released the film as a digital download in the US on October 22, 2019. The film was also released on Blu-ray, Ultra HD Blu-ray, and DVD on November 5, 2019.

Who’s on the cast and crew of Scary Stories to Tell in the Dark (2019)?

Scary Stories To Tell In The Dark (2019)
Source: PopSugar

Zoe Colletti, Michael Garza, Gabriel Rush, Austin Zajur, Natalie Ganzhorn and Austin Abrams play the roles of Stella Nicholls, Ramón Morales, August “Auggie” Hilderbrandt, Charlie “Chuck” Steinberg, Ruth “Ruthie” Steinberg and Tommy Milner.

They are supported by the ensemble cast of Ajanae Stephenson, Amanda Smith, Brandon Knox, Dean Norris, Deborah Pollitt, Gil Bellows, Hume Baugh, Jane Moffat, Karen Glave, Kathleen Pollard, Kyle Labine, Lorraine Toussaint, Marie Ward, Matt Smith and Victoria Fodor. Will Carr also plays the lead role. Elias Edraki lends his voice to a character.

André Øvredal directed the film based on the series of books written by Alvin Schwartz. Dan Hageman and Kevin Hageman wrote the screenplay for the 2019 horror film. The film was produced by top talent like Guillermo del Toro, Jason F Brown, Elizabeth Grave, J Miles Dale and Sean Daniel.

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10 spooky horror movies to watch streaming – designer women https://horror-fanatics.com/10-spooky-horror-movies-to-watch-streaming-designer-women/ Thu, 30 Dec 2021 01:50:29 +0000 https://horror-fanatics.com/10-spooky-horror-movies-to-watch-streaming-designer-women/ Want to take advantage of Friday the 13th while being afraid? Then follow our amazing tips on which horror movies to watch on streams like Netflix and Hbo Max. To verify: # 1. “Rua do Medo” Trilogy (Netflix) Available for a month on Netflix, the three films are adaptations of books by RL Stine (the […]]]>

Want to take advantage of Friday the 13th while being afraid? Then follow our amazing tips on which horror movies to watch on streams like Netflix and Hbo Max.

To verify:

# 1. “Rua do Medo” Trilogy (Netflix)

Available for a month on Netflix, the three films are adaptations of books by RL Stine (the author of “Goosebumps”), which play with clichés of the genre. Full of references, fans will notice scenes that refer to films such as “Scream” (Scream), “Friday the 13th”, “The Shining” among others. The narrative thread unites three temporal passages that connect the curse of the witch Sarah Fier, each telling a bit of the story that traces an evil that spans generations. The first film “Rua do Medo 1994” (Fear Street 1994) begins with a death in the mall reminiscent of “Marugada dos Mortos” and “Scream”. The fictional Shadyside is teeming with goods and serial youth deaths, but to break the curse it’s necessary to pick up on the events that led up to Fear Street 1978, which makes Nightwing Camp a character-centric replica of Crystal Lake. . of Ziggy, role of Sadie Sink, one of the young stars of “Stranger Things”. After a violent denouement, the details are gathered in “Rua do Medo 1666”, which does not hide its atmosphere “The Witch” as the past and the present converge. Interestingly, all three films are loaded with clichés, but the lack of originality doesn’t stop the fun.

Enjoy watching:

# 2 Evil Summon 3: Order of the Devil. (HBO MAX)

After two successful films, released in 2013 and 2016, the couple Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) return for this third confrontation with the forces of evil, also based on documented cases. Released in June, the film directed by Michael Chaves (The same as “The Curse of Tears”) manages to be very alive and maintains the level very close to the films directed by James Wan. If considered part of the same universe where the stories of the films “Annabelle”, “The Nun” and “The Curse of Tears” take place, this would be the eighth film in the franchise, which tries not to limit itself to the haunted. house story tag, taking the action to other settings like a dense forest or a dark prison where a demon is advancing his domain, a case that actually reached the courts in 1981.

# 3 Hereditary (Amazon Prime Video)

Toni Collette in ‘Héréditaire’ (2018)

When it premiered at the Sundance Film Festival in 2018; The film, written and directed by Ari Ester, shows the mysterious Graham family, reunited after the death of the matriarch, when their presence appears to be a ghost haunting everyone, especially little Charlie. The story is creative in transforming the atmosphere of mourning into psychological terror, reminiscent of the classic “Rosemary’s Baby” (1968). The cast includes Toni Collette, Gabriel Byrne and Alex Wolff, from “Jumanji Welcome to the Jungle” (2017) and “Jumanji: The Next Level”. An extremely claustrophobic climate and a surprising finish make it a good choice for fear of death.

# 4 Escape (Netflix)

Originally produced by Hulu, this highly effective thriller follows a devoted wife and mother (Sarah Paulson) who enslaves her daughter Chloe, who depends on her mother for a wheelchair. The screenplay of Aneesh Chaganty, who also directs the film, gradually manages to transform a caring mother into a psychopath, like Kathy Bates in “Crazy Obsession” (Misery) and the revelation of Kieran Allen, 22, Paralyzed in In Real Life 2014, she became the second wheelchair actress to star in such a movie since the 1940s, when actress Susan Peters filmed “The Sign of Aries”. “Escape” still has an inevitable comparison with “The Act”, a Hulu series, with a similar theme.

# 5 It – The Thing and That – Chapter 2 (HBOMAX)

One of Stephen King’s best books took a long time to live up to an on-screen production, despite a good TV adaptation in the 1990s. King’s Spooky Book in an immersive film without missing a beat and enjoying of all the twists and turns of a story told in two periods. The happy result well explored the Losers Club with two casts, one child and the other in their adult versions. Bill Skarsgard has invaded everyone’s nightmare with his performance as Pennywise, opposite Jaden Martell, Finn Wolfhard, Sophia Lillis and others. The young actors were so well accepted by audiences that they returned to film flashback scenes for Chapter 2. The success of “Stranger Things” owes much to the group dynamics of the Losers Club, which adulthood captured Bill’s faces. Hader, Jessica Chastain and James MacAvoy. If you’re one of the few who hasn’t seen this recent masterpiece of the genre, it’s worth being scared.

# 6 Army of the Dead: Invasion of Las Vegas (Netflix)

Zach Snyder delivered the haunting remake of “Dawn of the Dead” from “Dawn of the Dead” by George Romero. When Snyder moved away from the DC Universe, his first project was to revisit the zombie horror, recurring in so many movies and games, that it becomes a challenge for Snyder to do something that, while not being “Nothing new to anyone, always bet on the zombies’ interest in the living dead, in the plot of an ex-soldier who invades a zombie-infested town to get his hands on an abandoned fortune. Set in a post-apocalyptic setting, the film puts Dave Bautista at the forefront of an action story that would best suit a comic book.

# 7 Obsession (HBO MAX)

Films about psychopaths tap into the source of Alfred Hitchcock’s “Psycho” (1960), and “Obsession” is no different, and it doesn’t need it. Chloe Grace Moretz is a young waitress who falls prey to widow Greta Hideg (the excellent Isabelle Huppert). Neil Jordan’s film (Interview with the Vampire) manages to be effective, but not the best at exploring evil which takes on a form of seeming normalcy. Featured at the Toronto International Film Festival, “Obsession” can make your nails bite with anxiety with every action of a woman who, as her Hungarian last name suggests, is the very cold embodiment.

# 8 A classic horror movie (Netflix)

Italian horror which invests in a common plot filled with references to other films of the genre such as “Evil Dead – La mort du diable”, “Scream” and “The Straw Man”, among others which make the film a quilt with Easter eggs . The story of a group of people who travel through southern Italy until they suffer a road accident that leaves them lost in a forest. The title proper of the film, not at all creative, assumes its climate more parody than real terror.

# 9 An American Werewolf in London (Amazon Prime Video)

This classic 1981 film, directed by John Landis, had a strong influence on pop culture. Not just for the realistic transformation, the result of the impeccable work of makeup artist Rick Baker. The impressive result led Baker and Landis to work alongside Michael Jackson in the making of the “Thriller” video. 40 years later, the mixture of horror and irony in its script makes this film an admirable example of the werewolf film, cradled by the classic song “Blue Moon”.

# 10 Doctor Sleep (HBO MAX)

The long-awaited sequel to Stephen King’s “The Shining” manages to be curious as it shows 40-year-old Danny Torrence (Ewan McGregor) making peace with his past and his power, embarking on a path of confrontation with the vampire cult. The “real knots”, which have lived on for centuries, nurtured the power of the enlightened people. Rebecca Ferguson steals the stage as the evil cult leader Rose. Directed by Mike Flannagan of “The Curse of Hill Residence,” the film starred Danny Lloyd, who played Daniel Torrance in the 1980 film, in an appearance as a spectator at a baseball game.

Make sure you watch:

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Where you know the terrifying star https://horror-fanatics.com/where-you-know-the-terrifying-star/ Sun, 26 Dec 2021 17:10:00 +0000 https://horror-fanatics.com/where-you-know-the-terrifying-star/ David Howard Thornton wowed horror fans with his performance as Art the Clown in Terrify, but what other movies and shows has the actor played in? Here’s what other movies and TV shows More terrifying Star David Howard Thornton appeared in. American actor David Howard Thornton caused a stir with his role as haunted Art […]]]>

David Howard Thornton wowed horror fans with his performance as Art the Clown in Terrify, but what other movies and shows has the actor played in?

Here’s what other movies and TV shows More terrifying Star David Howard Thornton appeared in. American actor David Howard Thornton caused a stir with his role as haunted Art the Clown in 2016 More terrifying. Directed by Damien Leone, the bloody indie horror follows Thornton’s evil killer clown as he unleashes a murderous rampage on Halloween night. Although Art the Clown first appeared in a few of Leone’s early films and shorts played by a different actor, Thornton made the role his own and wowed viewers with his terrifying performance to live up to as bloodthirsty maniac.

Before landing his role in More terrifying, David Howard Thornton worked mainly in dubbing and lent his talents to video games including Two worlds II and Invizimals: The Lost Kingdom and also the biographical animated film Miss Hokusai. The same year More terrifying came out, he also started playing Joker in Nightwing: climbing – a fan-created web series that pays homage to characters from DC Comics – and went on to play a role as a medic in a Season 4 episode of Gotham titled “The Path of the Blade”.

VIDEO OF THE DAY

Related: Terrify: Art The Clown’s Changes Explained

In 2019, Thornton voiced a few characters (Billy Goats and Newt, to be precise) in the Hulu children’s animated series. The bravest knight and followed by another voice role as Bumbo in the animated sci-fi action flick The Requirement. Most recently, he starred as Tim Cobb in Marcus Slabine’s demonic horror film in 2021. Dark offerings and had a unique voice role in the PBS Kids cartoon Alma Road.


David Howard Thornton in Nightwing Escalade

Next in his career, David Howard Thornton will find Marcus Slabine in his next film Night of the Living Dead 2 – a zombie horror with several The day of the Dead cast members in which he will play the role of “Shark Bait Zombie”. He also has a serial killer role in another upcoming horror titled Flux which will focus on a family whose weekend getaway to a quaint hotel turns into a nightmare when a quartet of deranged murderers begins to chase them away.


Fans of David Howard Thornton’s performance as Art the Clown in More terrifying will be happy to hear that he is about to reprise the role of Damien Leone’s aptly titled sequel terrifying 2 scheduled for release in 2022. Set one year after the events of the original More terrifying movie, the sequel will follow a resurrected Art the Clown as he tracks down a pair of unsuspecting siblings on Halloween night.

Next: The Art Of Terrifying The Clown Is Creepier Than Pennywise’s

Red Hulk Professor Hulk General Ross

Endgame previously explained Red Hulk’s transformation from Thunderbolt


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The Curse of La Patasola Horror Movie Trailer from Vertical Entertainment https://horror-fanatics.com/the-curse-of-la-patasola-horror-movie-trailer-from-vertical-entertainment/ Wed, 22 Dec 2021 18:52:23 +0000 https://horror-fanatics.com/the-curse-of-la-patasola-horror-movie-trailer-from-vertical-entertainment/ ComingSoon is thrilled to release exclusive horror movie trailer The curse of the Patasola. The film’s producers also announced that Vertical Entertainment has secured the distribution rights for the independent thriller across North America. The horror feature film is slated to hit theaters and will be available on streaming media and other platforms on January […]]]>

ComingSoon is thrilled to release exclusive horror movie trailer The curse of the Patasola. The film’s producers also announced that Vertical Entertainment has secured the distribution rights for the independent thriller across North America. The horror feature film is slated to hit theaters and will be available on streaming media and other platforms on January 14, 2022.

RELATED: Exclusive Telemarketer Death Clip Starring Lamorne Morris & Jackie Earle Haley

“Shot over a 21-day period in a COVID-free ‘bubble’ just outside of Orlando, Florida, La Patasola follows two struggling couples who are haunted by a famous vampiric monster from South American folklore, testing their relationships, their morals and their will to survive, ”the synopsis read.

Check out the exclusive trailer below:

Marking the directorial debut of actor / screenwriter AJ Jones (The game, Lovecraft Country), with a story co-created by Jones and Florida native Daniela Gonzalez (enemies), the film also stars Luciana Faulhaber (Shades of blue), Patrick R. Walker (The resident) Najah Bradley (Black Box) and Gillie Jones (Mr. Frost), which is making its film debut. Gonzalez, Jack Young (The perfect race) and Mark Pettit (Real detective, Spirit hunter), complete the cast.

The curse of the Patasola is a character-driven thriller that we believe will appeal to a wide audience, ”said Tony Piantedosi, senior vice president of acquisitions at Vertical Entertainment. “We were drawn to the story, the mythology and the way the monster came to life, and we think fans are going to really enjoy this movie.”

Tom Malloy, President of Glass House Distribution, added, “Now that Vertical Entertainment has made a commitment to as a distribution partner in North America, we are confident that dominoes will fall all over the world and The curse of the Patasola will be enjoyed by a global audience in 2022.

RELATED: Agnes’ Exclusive Clip Starring Molly Quinn in Horror Drama

Broadway actress and songwriter Yvette Gonzalez-Nacer (Hadestown, Fat Live!) written and played The curse of the Patasola theme song. The original score for the film was developed by Kelsey Woods.

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10 best horror movies based on short stories https://horror-fanatics.com/10-best-horror-movies-based-on-short-stories/ Tue, 21 Dec 2021 01:00:00 +0000 https://horror-fanatics.com/10-best-horror-movies-based-on-short-stories/ Although adaptations of novels have featured prominently in filmmaking since the media’s inception in the last decade of the 19th century, adaptations of short stories are still quite rare. While big hits like The Secret Life of Walter Mitty and Everything must go to prove that it is doable, more often than not films based […]]]>

Although adaptations of novels have featured prominently in filmmaking since the media’s inception in the last decade of the 19th century, adaptations of short stories are still quite rare. While big hits like The Secret Life of Walter Mitty and Everything must go to prove that it is doable, more often than not films based on news are either quickly forgotten or fail to be finalized.

RELATED: 10 Horrible 80s Movies Similar To Stephen Kings IT

That said, some of the best horror movies are adaptations of short stories. From flagship works of HP Lovecraft to the well-known writings of Stephen King, these quick snippets of fiction have made exemplary conversions to the big screen.

VIDEO OF THE DAY

1408 (2007)

Based on a Stephen King short story of the same name, 1408 is a 2007 John Cusack vehicle involving a little writer trapped in a supernatural hotel room. Disturbing, dark, and full of twists and turns, it’s perhaps most memorable for including three separate and distinct endings.

Playing on fears of paranoia and claustrophobia, Cusack gives an intense performance and, despite the narrow reach, is masterfully paced. It greatly expands on the very short work it was based on, and it’s one of the most remarkable horrors to be adapted from the pen of Stephen King.

The Fly (1986)

Although he is generally known for Cronenberg’s magnum opus of 1986, Fly in fact first appeared as a short story in a 1957 pulp fiction magazine. Written by French writer George Langelaan, it tells the story of a revolutionary scientist who turns into a fly after an experiment has gone horribly wrong.


These events are portrayed fairly faithfully in the 1986 film, but the film adaptations lean much more towards horror. Cronenberg is often considered a body horror author, and Fly is perhaps the most important film of this sub-genre.

Dolan’s Cadillac (2009)

Dolan's Cadillac is one of Stephen King's most forgetful adaptations of this century.  Screenrant by Evan J. Pretzer.

When his wife Elizabeth is killed by human trafficker Jimmy Dolan, Tom Robinson sets in motion a plot to claim horrific revenge. Digging a massive hole in some roadway and covering it, he waits for Dolan to drive his Cadillac into the trap and bury it alive.

RELATED: 10 Essential Stephen King Stories Better Than The Movies

Originally a short story from horror master Stephen King, the 2009 adaptation starring Christian Slater adds a new angle of intense psychological horror and makes Dolan’s drastic and prolonged death as dark and agonizing as it gets.


Scary Stories To Tell In The Dark (2019)

The Pale Lady of Scary Stories to Tell in the Dark

An adaptation of the 1981 work by author Alvin Schwartz and illustrator Stephen Gammell, 2019’s Scary stories to tell In the dark adapts several short stories, combining them all into one frenzied and surprisingly gruesome PG-13 offering.

Original children’s stories are best known for their surprisingly disturbing artwork, and many of the movie’s monsters are well-known enough to look like they’ve crawled straight from the page. The movie itself is pretty much everywhere, but it’s a great place to start for burgeoning horror movie lovers.

Duel (1971)

A photo of the tractor trailer from the 1971 Steven Spielberg movie Duel.

Even though he was going to direct some of the most defining films of the twentieth century, Steven Spielberg’s first film was the relatively modest film. Duel, a 1971 television movie about a maniacal truck driver determined to chase after a motorist.


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Duel was actually an adaptation of a short story Spielberg wrote himself, and years later remains a masterclass in unbroken tension. Much of the terror comes from the faceless and patternless villain, and the empty trailer horror of the story would prove to be a first draft for the doll-eyed shark of Spielberg’s 1975 release. . Jaws.

1922 (2017)

A dirty man standing in front of a cornfield

A man enjoys living on a farm owned by his wife’s family, but when his wife asks to move out, he leads his son into a murder plot that ultimately leads to chaos.

Yet another adaptation of a short story by Stephen King, 1922 is a slow burn that seeks to evoke a feeling of creeping terror rather than outright horror. A laborious story that slowly goes from bad to worse, it’s the kind of nightmare that will put clouds over the heads of audience members for days to come.


Re-host (1985)

Herbert West deserves to be back on the big screen

HP Lovecraft’s original tale, titled “Herbert West-Reanimator,” was a rather morbid tale of the horrors manifested by a scientist too eager to play God. The 1985 adaptation, however, was a ridiculous and overblown reinterpretation of events that were more like Sam Raimi’s. Diabolical death than anything from the pages of the father of cosmic horror.

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That’s not to say it’s not worth watching, however; all stupid, Re-Animator is a savage and gruesome production that is a must have for any gory dog. It lacks the subtle dread of the original story, but it makes up for it with its buckets of blood and almost slapstick humor.


Candyman (1992)

Bees flowing out of Candyman's mouth in the 1992 horror film of the same name.

Based on “The Forbidden”, a story in the fifth volume of famous horror writer Clive Barker Pounds of blood anthology, Candy is a dark and austere tale that will shock and provoke for more than one reason.

The 1992 adaptation fleshes out the titular antagonist and constructs him as some sort of demonic presence a la Freddy Kruger. Her iconic brown cape and booming voice are instantly memorable and, despite her somewhat niche origins, Candy went on to become one of the most important horror films of the 90s.

The Thing (1982)

John W. Campell Jr.’s 1938 dough fictional novel “Who Goes There” has been adapted several times over the years, but the most impactful version of the story was the film directed by John Carpenter. The thing from 1982. When an alien capable of perfectly reproducing organic matter breaks loose in an Antarctic outpost, a group of researchers must work to stay human and stave off the threat from another world.


By today’s standards, the original text is incredibly tame. The 1982 film, however, remains one of the bloodiest things ever to be seen in cinema. It’s body horror work for the ages, and arguably one of the best examples of cosmic horror unattached to Lovecraft.

Children of the Corn (1984)

the chief of the Children of the Corn, a little boy wearing a big black hat, looking at the camera meanly

The children of the corn was never one of Stephen King’s most popular tales, but the 1984 film generated incredible buzz and a lingering fan base that grew. When a cult led by children slaughters an entire city, it’s up to hapless Burt Stanton to get to the bottom of it.

In the same vein as that of Tobe Hooper The Texas Chainsaw Massacre, The children of the corn manages to make wide open, well-lit plains and quiet rural towns spooky. It hasn’t aged particularly well in the last thirty years or so, but there is still a palpable fear present in this 1984 production.


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Why Wendy Carlos’ scores were so revolutionary https://horror-fanatics.com/why-wendy-carlos-scores-were-so-revolutionary/ Sun, 19 Dec 2021 15:30:00 +0000 https://horror-fanatics.com/why-wendy-carlos-scores-were-so-revolutionary/ Wendy carlos is a musician, physicist and engineer best known for her work on the Moog synthesizer and the soundtracks of Tron, A clockwork orange, and The brilliant. Sometimes referred to as the ‘mother of the Moog’, she worked alongside Robert moog (whom she met in college) to develop the original Moog commercially available synthesizer […]]]>

Wendy carlos is a musician, physicist and engineer best known for her work on the Moog synthesizer and the soundtracks of Tron, A clockwork orange, and The brilliant. Sometimes referred to as the ‘mother of the Moog’, she worked alongside Robert moog (whom she met in college) to develop the original Moog commercially available synthesizer in the early 1970s. Although she only worked on three soundtracks, her work achieved iconic status and its influence is evident through contemporary scores. Let’s take a look at what makes her work and collaborations so special, and why she is such an important figure in screen composition.

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Early in Carlos’ career, she created a series of re-imaginations of classic compositions on a modular synthesizer. The nature of the synthesizers she used meant that only one note could be played at a time, which made this quite difficult. The result of this project was the album “Switched-On-Bach”, released in 1968. Carlos’s intention, as mentioned in an interview with Carol Wright, with this album was to create something accessible on the early synth technology, as opposed to the dense, avant-garde music that was typically created with modular synthesizers at the time. “Switched-On-Bach” led to the start of a long collaboration with producer and singer Rachel elkind, which will prove to be fundamental for the creation of the partition of the two Stanley kubrick titles Carlos worked on: A clockwork orange and The brilliant.


A clockwork orange was Carlos’ first foray into film music. The soundtrack featured electronic interpretations of classic compositions by Ludwig van Beethoven, in particular a number of his choral and scherzo movements. The use of relatively famous pieces creates an interesting effect against the backdrop of the film’s soundtrack. Carlos’s score takes the familiar – Beethoven – and transforms it into something unusual and new, with the use of an (at the time) unusual instrument. It almost creates a sense of ‘weird valley’ effect, in musical form, meaning he’s almost human, but not as we know him or in any sense we would recognize. Hearing something familiar being used in a new and inhuman way can be unsettling, making it the perfect soundtrack for such a disturbing horror film as A clockwork orange.



A-horlogerie-orange
Image from Warner Bros.

The Moog synthesizer that Carlos works with works by creating sound from scratch in the same sense that an acoustic instrument like a guitar would. However, the haunting use of early acoustic technologies does not end with sound synthesis. Carlos also worked a lot with sampling in his scores. Namely, she and Elkind used an early version of a vocoder on the soundtrack to A clockwork orange. Vocoder technology made it possible to manipulate a sample of Elkind’s vocals with spellbinding effects. This interplay between the human and the inhuman, the expected and the unexpected, is part of what makes Carlos’s scores not only so incredibly special, but also so deeply haunting at times.

His two soundtracks for Kubrick both featured the use of ambient sounds as samples, borrowing from a French technique of musical creation called “concrete music”. It really allows the scores she creates to capture feeling perfectly, creating a complete scene in a sonic way. If this technique is of course not limited to the works of Carlos (other composers like Hans zimmer also used the practice), she adopted the film music technique quite early on. What’s else interesting is that his soundtrack for Tron did not use ambient samples. This means that when creating these three-dimensional soundscapes, his vision was specifically focused on his idea of ​​how a horror movie, or perhaps, these stories, in particular, should sound.



The-Shining-Jack-Nicholson
Image from Warner Bros.

His influence on subsequent soundtracks is also easy to follow. From X files‘classic opening (Marc Snow) at Strange things‘weird retro-styles synthwave (Kyle Dixon and Michael stein), Carlos’ synth sounds seem to echo everywhere. There are also more direct examples of its influence. In 2010, French musicians, Daft punk, have released their version of his original score for Tron track by track for Tron legacy. Its impact is not limited to film and television music either. Without his work on developing a commercially viable version of the Moog synthesizer, it’s likely that contemporary rock and pop music wouldn’t be the same either. Not only has this specific synthesizer been adopted by so many musicians in a variety of genres, it has also been developed into different models on several occasions since, reaching new audiences each time. It’s amazing to think of the “butterfly effect” that these recreations of classic compositions and a handful of film scores have had through popular culture.


The worlds Carlos creates in his scores are alive and encompassing even when listened to on their own, drawing the listener into a world of his own sound creation. When paired with equally captivating movies, it’s a perfect match. This element of collaboration when creating film music is magical. The filmmaker creates a visual world in which to invite the viewer, and the composer creates an auditory world to accompany him. Carlos is no exception to this rule. His work greatly values ​​the fictional worlds he touches. Can you imagine The brilliant without the menacing drones of Carlos’ Moog? Much of the beauty of her work is in other wonderful collaborations as well. No Woman is an Island: From Elkind’s hands-on production style and vocal contributions to Carlos co-developing Moog’s eponymous synthesizer, it’s easy to see Carlos’s magic might not have happened. the same way without these creative partnerships.



Tron-film-jeff-bridges-1
Image via Buena Vista Distribution

Carlos and Elkind both had an immeasurable impact on the composition for the screen. They also both broke down social, musical and acoustic barriers. Even today, there is a proven gender gap among film composers in the United States. In 2020, only around 5% of Hollywood composers are women, according to media researcher José Gabriel Navarro. Additionally, in an interview with Arthur Bell for Playboy in 1979, Carlos revealed himself publicly as a transgender woman, with Elkind as an ally and supporter in making that statement. The scores Carlos and Elkind created together and the influence the two women had on notation, alongside their powerful working and interpersonal relationship, are truly essential pieces of social history – for women’s history. , Black History and LGBTQIA + History. There are other amazing women who pioneered composition and electronic music at the time – Laurie Spiegel and Daphne Oram name a couple – and other immensely talented women have developed the field since, such as SOPHIE, Pamela z, Gavilán Rayna Russom, and Nancy whang, and each story is vitally important to breaking the glass ceiling of composition and sound design.


While Carlos is far from the only composer to have made excellent use of synthesizers, created classic scores, and built exceptional soundscapes over the years, it is remarkable how much his legacy has shaped the climate of music for the cinema since the beginning of his work in the 60s and 70s. Carlos is regularly called a pioneer, and it is a well deserved label. His songs often play with pre-existing ideas or compositions, turning them into something entirely innovative and groundbreaking with his own musical signatures and inventions in acoustic science. In many ways, although his sheet music discography is limited, it’s no surprise that his influence is so deep through film soundtracks, popular music, and overall musical innovation.



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