The 10 Best Hollywood Horror Movies

Cinema has increasingly embraced superhero stories and comic book adaptations, but the horror genre is a perennial performer that’s also replete with long-running franchises. Horror finds its strength in versatile subject matter, which can include creepy supernatural creatures, sinister serial killers, or more grounded material.


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The spectacle of cinema and the lavish joys of Hollywood are prime subjects for feature films. However, there is a specific breed of horror movies that thrive on their subversions of Hollywood and the cinematic experience. As a result, horror films that focus on the dark nature of this industry are especially gripping.

ten Pearl uses Technicolor optimism as his victim’s only escape

2022 marked the release of Ti West’s Xas well as a prequel counterpart, pearl. X is a gritty slasher that focuses on the societal impact of independent cinema, while pearl is more indebted to the Technicolor trend of early Hollywood and its lavish productions. Set in 1918 against World War I, pearlThe titular character longs to escape his oppressive and empty family life with Hollywood cinema as his only salvation.

Pearl longs to join the dancers she watches in cinematic musicals. This terrifying film is shot, edited and scored to mimic classic Hollywood aesthetics as Pearl descends further into a nightmare.

9 Mulholland Drive turns the city of dreams into a living nightmare

Described as “a love story in the city of dreams”, David Lynch’s surreal neo-noir masterpiece, Mulholland Drive, is an ethereal ode to Los Angeles and the star-making power of Hollywood. Filtered through the infinitely optimistic perspective of Naomi Watts’ Betty Elms, Mulholland Drive revolves around the hunt for the identity of a woman with amnesia, which sets off a domino effect of mysteries through this heightened view of Hollywood.

Lynch’s film delves into the corrupt and toxic nature of the film industry. However, Mulholland Drive simultaneously praises Hollywood through the film’s dreamlike cinematic style and the repeated reference points it creates.

8 Starry Eyes is a gruesome look at the cost of fame

Kevin Kolsch and Dennis Widmyer starry eyes is a jaw-dropping horror feature debut that went largely under the radar. The film turns to occult and disturbing secret societies to tell a transformative story about the lengths people will go to for fame and fortune in Hollywood.

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Alexandra Essoe gives it her all in a gut-wrenching performance where her ingenuous, wide-eyed actor gets gobbled up and spat out by the abusive cycle of the movie industry. Her gruesome casting couch experience becomes the catalyst for a supernatural awakening where she is reborn in both a metaphorical and literal sense.

seven Body Double is a horror mystery set in the seedy underbelly of Hollywood

Brian De Palma is a visionary filmmaker with great admiration for Alfred Hitchcock. His film, Double bodyinvites some very overt allusions to some of Hitchcock’s best, such as rear window and vertigo. In double body, a hapless actor finds himself in the middle of a conspiracy after witnessing a murder during a lewd act of voyeurism.

Double body is set in the Hollywood Hills, but its main character is a struggling horror movie actor who becomes obsessed with a sex worker. De Palma repeatedly pits these characters against their fictional film counterparts to great effect.

6 Scream 3 lets Ghostface loose on the set of the new Stab

The Scream The series helped usher in a wave of self-aware slasher films that have as much love and respect for the horror genre as their audiences. Cry 3 goes even further and transforms the cast of the latest reflexive film “Stab” into the latest victims.

Cry 3 largely occurs on movie sets as the characters comment directly on the state of horror and cinema. Cry 3 endless fun as Ghostface racks up a body count on a Hollywood studio lot, but Wes Craven’s New Nightmare draws on an energy very comparable to that of fiction Elm Street boogeyman begins to seek revenge in the real world.

5 Blow Out Crafts A compelling conspiracy out of sound design

by Brian DePalma Switch off is directly inspired by Michelangelo Antonioni Explode, but it institutes a clever shift from Antonioni’s emphasis on photography to the medium of sound recording. John Travolta’s Jack Terry is the sound effects artist of a low-budget slasher movie who accidentally records a murder during an outdoor audio session.

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Terry is involved in an assassination plot and the stakes are skyrocketing, but Switch off keep talking about movies. From Palma begins Switch off with the movie within a movie, “Co-ed Frenzy,” and the film’s final line is a deeply unsettling synthesis of reality and cinematic fantasy.

4 Seed Of Chucky Leans More Into Parody As The Killer Doll Family Heads To Hollywood

Against all odds, the Child’s play the killer doll franchise is still going strong. Seed of Chucky marks the directorial debut of series creator Don Mancini and the film carries the same dark, satirical energy as its predecessor, Bride of Chucky.

This pivot to a dumber version of the Child’s play the series is arguably the strongest in Bride of Chucky, but this sequel heads to Hollywood and has more to say about the current state of cinema. Chucky and Tiffany are brought to life with movie props and Seed of Chucky even works with John Waters as an exaggerated member of the paparazzi.

3 Berberian Sound Studio puts a sound engineer in a difficult situation

Peter Strickland is becoming one of the most unique voices in British horror. Berber sound studio is a very scary movie that makes a lot of use of a relatively simple idea. In Berber Sound Studio, a British sound engineer travels to Italy to complete audio effects work on a studio’s horror film.

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Gilderoy, the sound engineer, gradually becomes nervous about the true nature of this film and what he is actually working on. Toby Jones’ haunting, chilling performance as Gilderoy is the secret ingredient that helps this tense tale soar.

2 Urban Legends: Final Cut is a slasher’s tribute to Hitchcock

the original Urban legend is an above average 90s slasher that is one of many answers to Scream. The sequel to the horror movie, Urban Legends: Final Cut, is easy to write off. However, it’s a surprisingly clever follow-up that’s co-written by Scott Derrickson of Claim and The black phone celebrity.

final cutThe premise revolves around a class of film students who compete to win the Hitchcock Prize with their thesis films, one of which focuses on urban legends. Urban Legends: Final Cut adoringly praises the authors of the cinema as these cinema aficionados get their way, as the film releases to a satisfying Hitchcockian surprise.

1 Matinee is an affectionate pamphlet of movie freaks and sensationalist cinema

Joe Dante is a fearless genre filmmaker who truly loves cinema, in every sense of the word. Many of Dante’s films feature passionate homages to cinema, including the moment in Gremlins 2 when the titular creatures ruin the film at hand. Morning is one of Dante’s most overlooked efforts.

The parody horror flick starring John Goodman pays homage to daring 1950s sci-fi B-cinema and William Castle showman-style advertising. In the face of the Cuban Missile Crisis, Morning reflects the palpable fear that fueled 1950s cinema, as well as the growing subversive savvy that was beginning to dominate 1990s films.

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